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Stirling Smith Museum and Art Gallery
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Stirling Smith Museum and Art Gallery : ウィキペディア英語版
Stirling Smith Museum and Art Gallery

Stirling Smith Art Gallery and Museum is an institution based in Stirling, Central Scotland, dedicated to the promotion of cultural and historical heritage and the arts, from a local scale to nationally and beyond. It is also known locally by its original name of "The Smith Institute". Its current Director since 1994 is Dr Elspeth King.
== Introduction ==
The Stirling Smith Art Gallery and Museum – formerly The Smith Institute – has played a very special part in the history of Stirling since its foundation in 1874. Established by the bequest of artist Thomas Stuart Smith (1815–1869) on land supplied by the Burgh of Stirling, it is an historic public-private partnership which has continued to the present day. It was founded as a gallery of mainly contemporary art, with museum and library reading room ‘for the benefit of the inhabitants of Stirling, Dunblane and Kinbuck’.
Today, it functions as a gallery, museum and cultural centre for the Stirling area. It is the repository for the historical artefacts and paintings of Stirlingshire, at the same time offering exhibition opportunities for contemporary artists. Over twenty community groups meet regularly in its lecture theatre, and a café and biodiversity garden are among its newest attractions.
According to the Art Journal of 1896 the Smith did “a good work of quiet, unostentatious usefulness”. It has continued to do this and often the public do not recognise the Smith’s collections when they see them. They are used to illustrate many promotional brochures for Stirling and Scotland, from simple leaflets to books and the prestigious City Bid document of 2001. Images from the collection are also used in displays in visitor centres, including the Wallace Monument, throughout the area, and in the pages of national newspapers and in history books.
From the beginning, the Smith has had a collection of considerable historic and artistic significance. Although specialist publications for different exhibitions and aspects of the collection have been issued over the last twenty years, there has been no attempt at issuing a general catalogue since 1934.

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